Phono Preamp Reviews

You've had the files to listen to, compare and vote on for some time now so here are the capsule reviews.

Made in the White Mountains of New Hampshire, USA, using where possible American parts, designer Bill Hutchins’ LKV Research Phono 2-SB has the kind of Japanese corporate name that doesn’t exactly roll off the tongue.

On January 2nd analogplanet.com posted five 96/24 bit files, each containing the same minute’s worth of John Williams’ “Liberty Fanfare” performed by the National Symphonic Winds conducted by Lowell Graham excerpted from the album Winds of War and Peace originally issued in 1988 on Wilson Audio Specialties Records (W-8823) and used with permission.

Norbert Lehmann’s Black Cube phono preamplifiers have surprised and at times amazed for their superior sonic performance at near bargain-basement prices. He’s been designing, building and upgrading his phono preamplifiers for nearly two decades beginning in 1995 with the original Black Cube.

The $399 iFi iPhono phono preamp first spotted at the 2012 Rocky Mountain Audio Festival is the result of a joint venture between ifi micro (ifi-audio.com) and U.K. based Abbington Music Research, also known as AMR. ifi micro also manufactures a fits-in-the-palm-of-your-hand 192/24 bit USB DAC, a headphone amp and a USB power supply but the phono preamp is of the greatest interest around here.

The all-FET, class-A, B2B-1 phono preamplifier ($1749), made in the US by Liberty Audio, is beautifully built inside and out, and comes in a heavy-duty aluminum chassis with a baked-on crackle finish and a 3/8"-thick, black-anodized faceplate. The overall build quality and physical appearance suggest something that costs more than $3000, which is probably what it would cost were it sold through retailers and not factory direct. It comes with a two-week return policy.