Phono Preamp Reviews

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Michael Fremer  |  May 27, 2014  |  2 comments
You've had the files to listen to, compare and vote on for some time now so here are the capsule reviews.

Michael Fremer  |  Apr 16, 2014  |  22 comments
Parasound's new $2995 JC3+ is a significantly upgraded version of the already high performance original JC3 phono preamplifier, though outwardly it looks identical to the handsome original.
Michael Fremer  |  Feb 28, 2014  |  5 comments
Made in the White Mountains of New Hampshire, USA, using where possible American parts, designer Bill Hutchins’ LKV Research Phono 2-SB has the kind of Japanese corporate name that doesn’t exactly roll off the tongue.
Michael Fremer  |  Jan 18, 2014  |  7 comments
A second NuWave Phono Converter sample arrived the other day and after swapping the two back and forth a few things became sonically obvious. One is that the second sample was not as hard, bright and mechanical-sounding as the first one. And the other was that like the first sample, the second NuWave's lower midrange and bass were less than fully fleshed out.
Michael Fremer  |  Jan 15, 2014  |  39 comments
On January 2nd analogplanet.com posted five 96/24 bit files, each containing the same minute’s worth of John Williams’ “Liberty Fanfare” performed by the National Symphonic Winds conducted by Lowell Graham excerpted from the album Winds of War and Peace originally issued in 1988 on Wilson Audio Specialties Records (W-8823) and used with permission.

Michael Fremer  |  Dec 29, 2013  |  8 comments
This is a review of the NuWave Phono Converter's phono preamp section only. A review of the double DSD based A/D converter will follow soon.

Multipurpose products like PS Audio’s snazzy new NuWave Phono Converter offer a mix of great possibilities and possible compromises. In one sleek box you have a capable and versatile MM/MC phono preamplifier and an analog to digital converter through which you can conveniently digitize your vinyl—as well as any analog input you feed it— at up to double DSD resolution. All for $1895.

Michael Fremer  |  Dec 03, 2013  |  12 comments
Norbert Lehmann’s Black Cube phono preamplifiers have surprised and at times amazed for their superior sonic performance at near bargain-basement prices. He’s been designing, building and upgrading his phono preamplifiers for nearly two decades beginning in 1995 with the original Black Cube.

Michael Fremer  |  Dec 01, 2013  |  13 comments
Rega’s versatile $1500 Aria phono stage combines high build quality, flexibility and dynamic capabilities more commonly found in more expensive phono preamplifiers.
Michael Fremer  |  Dec 27, 2012  |  8 comments
The $399 iFi iPhono phono preamp first spotted at the 2012 Rocky Mountain Audio Festival is the result of a joint venture between ifi micro (ifi-audio.com) and U.K. based Abbington Music Research, also known as AMR. ifi micro also manufactures a fits-in-the-palm-of-your-hand 192/24 bit USB DAC, a headphone amp and a USB power supply but the phono preamp is of the greatest interest around here.
Michael Fremer  |  Sep 10, 2012  |  9 comments
Back in 2005 I reviewed what was then the $1500 Jasmine LP-2 MM/MC phono preamplier. It was a two box unit with an umbilical between the power supply and the signal path circuitry. The 70dB gain MC input was commendably quiet and the unit sounded pretty good but I couldn’t justify the performance for the price.

Michael Fremer  |  May 24, 2012  |  3 comments
The all-FET, class-A, B2B-1 phono preamplifier ($1749), made in the US by Liberty Audio, is beautifully built inside and out, and comes in a heavy-duty aluminum chassis with a baked-on crackle finish and a 3/8"-thick, black-anodized faceplate. The overall build quality and physical appearance suggest something that costs more than $3000, which is probably what it would cost were it sold through retailers and not factory direct. It comes with a two-week return policy.
Michael Fremer  |  Feb 13, 2012  |  0 comments
The phono preamplifiers reviewed this month are both affordable ($400–$1960) and highly accomplished, and the most expensive of them offers versatility that's unprecedented in my experience. Three of them are designed to be used only with moving-magnet, moving-iron, and high-output moving-coil cartridges, so I installed Shure's V15VxMR cartridge in VPI's Classic 3 turntable and listened in MM mode to all of them, beginning with the least expensive.
Michael Fremer  |  Oct 24, 2011  |  1 comments
According to Parasound's founder and CEO, Richard Schram, the Halo JC 3 began as a phono-preamp retrofit for the JC 2 line stage, with separate small circuit boards for each channel. The smaller the board, the better, Schram says, so as to attract less noise than do larger boards, whose many copper traces can act as antennas.
Michael Fremer  |  Nov 07, 2010  |  0 comments
Why bother with three phono preamps most of us can't afford? For the same reason the enthusiast automobile magazines cover the newest Ferraris and Lamborghinis: just reading about them is fun.
Michael Fremer  |  Sep 23, 2010  |  0 comments
This massive, two-box beauty from Denmark costs $60,000, and I wish I could tell you it wasn't really better in most ways than the already outlandishly priced and sonically superb Boulder 2008. I can't.

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