Grant Green's sunday mornin'—A Blue Note That Got Away!

Single-line guitarist Grant Green's fourth Blue Note album released in 1962 is as easy to listen to and relaxing as the title suggests. Kenny Drew is on piano with Ben Tucker, bass and Ben Dixon on drums in a set of six tunes with inspiration and/or vaguely religious themes, three of which are Green originals.

Primary Category: 
Artist: 
Grant Green
Album: 
Sunday Mornin'
Cred Label: 
Blue Note/Slow Down Sounds BST/SDS 84099 180g AAA LP
Cred Prod: 
Alfred Lion (reissue produced by Tom "GROVER" Biery
Cred Eng: 
Rudy Van Gelder
Cred Mix: 
Rudy Van Gelder
Cred Mast: 
Kevin Gray at Cohearent Audio
Single-line guitarist Grant Green's fourth Blue Note album released in 1962 is as easy to listen to and relaxing as the title suggests. Kenny Drew is on piano with Ben Tucker, bass and Ben Dixon on drums in a set of six tunes with inspiration and/or vaguely religious themes, three of which are Green originals.

Legendary Loudspeaker Designer Andrew Jones Receives LA&OC Audio Society Founders Award

(Photo: Ben Williams)
Legendary loudspeaker designer Andrew Jones (KEF, Infinity, TAD/Pioneer and now ELAC) received the Founders Award from The Los Angeles & Orange County Audio Society December 8th at the organization's annual Gala. AnalogPlanet editor Michael Fremer was again asked to "roast" and introduce the recipient.

More Blue Note "Tone Poet" All-Analog Reissues Coming in 2020!

Blue Note Records just announced the 2020 continuation of the acclaimed Tone Poet Audiophile Vinyl Reissue Series. "Tone Poet" Joe Harley (so named by jazz great Charles Lloyd) produces the series, originally launched in 2019 to honor the label's 80th anniversary. The all-analog 180g series mastered directly from the original master tapes by Kevin Gray at Cohearent Audio and pressed at Camarillo, CA-based RTI features deluxe Stoughton Printing "Old Style" Gatefold Tip-On Jackets.

Nitty Gritty’s Compact $839 Model 1.5 RCM, Despite Shortcomings, Does Its Job Well

During my initial two years of record collecting, my dumb self rarely bothered to clean my records, and as an 8-year-old, I didn’t think grabbing records by the grooves it affected anything. Three years into the hobby, I began, with a MoFi brush and ONE solution, obsessively hand cleaning my LPs (as well as handling them properly). However, I never owned a vacuum record cleaning machine (RCM) until AnalogPlanet editor Michael Fremer gifted me one this summer and requested this review.

Marcelle Meyer Plays Debussy Is French Record Company’s Superb AAA Debut

The French Record Company’s first release is a limited to 200 copies edition of a “never before released but should have been” 1958 recording of pianist Marcelle Meyer playing a Debussy program recorded for the Les Discophiles Francais label (DF 211-212).

Meyer’s LPs that were released regularly sell for $1000+. Even the 78s fetch hundreds of dollars. You might say she’s got a Joanna Martzy-like following among record collectors who are aficionados of French impressionist composers.

Primary Category: 
Artist: 
Marcelle Meyer
Album: 
Debussy Les Préludes pour piano livres 1 et 2
Cred Label: 
The French Record Company/ Les Discophiles Francais (DF 211-212) 2 180g mono LPs
Cred Prod: 
reissue producer Jean-Marc Harari
Cred Eng: 
André Charlin
Cred Mix: 
André Charlin
Cred Mast: 
Carl Rowatti at Trutone Mastering Lab
The French Record Company’s first release is a limited to 200 copies edition of a “never before released but should have been” 1958 recording of pianist Marcelle Meyer playing a Debussy program recorded for the Les Discophiles Francais label (DF 211-212).

SME Exits the OEM and Retail Tone Arm Business

SME press release (December 3):

SME will exit the tonearm retail and OEM business with immediate effect shifting our focus on our core turntable and tonearm combination business. The decision to leave the tonearm business was not taken lightly, especially as we have played a key role in the design and development of the world’s best tonearms. The growth of our turntable business and commitment to higher production levels means that we cannot continue both streams.

Craft Recordings Reissues Big Star #1 and Radio City AAA on 180g Vinyl

"What happens in Memphis stays in Memphis"—at least until you get these home (unless you live in Memphis!) might be Craft Recordings' slogan for this all-analog pair of Big Star reissues, probably the first all-analog reissues of these two ignored when first released but now highly regarded early '70s albums since Classic Records released them in 2009 AAA on Clarity vinyl.

With the SL-1500C Technics Cuts the Price But Not the Sound Quality

Technics follows up on its successful re-entry into the turntable business (SL-1200 series, SP10R, SL1000R) with the SL1500C, a lower cost ($1199) direct drive turntable that features a version of the sophisticated coreless, single rotor direct drive motor used on its more costly turntables.

Warsaw Audio Video Show 2019 Days Two and Three Coverage

This video was originally blocked worldwide because one of these artists had a problem with a 10 second piano break that could be heard in the background in a hotel room at this show. Can you guess which?

Was it: Roger Waters, Donald Fagen, Eva Cassidy, Mark Knopfler (Dire Straights), Bebe, Leonard Cohen, Metallica, Patricia Barber, Michael Jackson, Nick Cave and the Bad Seeds or Peter Gabriel?

It Could Happen To You: Chet Baker Sings From Craft Is Another AAA Reissue Great

Chet Baker was 29 years old when he recorded this album of vocals with occasional trumpet back in the summer of 1958 released today, 61 years later for RSD Black Friday.. He sounds like a kid. Actually you could argue he sounds positively girl-ish, which back then must have driven them pretty crazy—even crazier than did his chiseled, pugilistic face.

Primary Category: 
Artist: 
Chet Baker
Album: 
It Could Happen To You: Chet Baker Sings
Cred Label: 
Riverside/Craft CR00243 180g mono LP
Cred Prod: 
Bill Grauer
Cred Eng: 
Jack Higgins, Reeves Sound Studios
Cred Mix: 
Jack Higgins
Cred Mast: 
Kevin Gray at Cohearent Audio
Chet Baker was 29 years old when he recorded this album of vocals with occasional trumpet back in the summer of 1958 released today, 61 years later for RSD Black Friday.. He sounds like a kid. Actually you could argue he sounds positively girl-ish, which back then must have driven them pretty crazy—even crazier than did his chiseled, pugilistic face.

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