Lyn Stanley Recording March 4, 2014 At Avatar Studios in NYC With Legendary Recording Engineer Al Schmitt

Chanteuse extraordinaire Lyn Stanley was at New York's Avatar Studios (formerly The Power Station) recording songs for her next album Potions, which will consist of '50s era covers. Most distinguished recording engineer/producer Al Schmitt was at the board and yes, the big Studer 24 track you see in the picture was rolling.

Audio Additives Digital Stylus Force Gauge

Looking for a good digital stylus force gauge? Once upon time one from Winds cost $800 and was good only to a single digit. Today they can be had good to 3 decimal points for as little as $79 like this Audio Additive by Musicdirect®. Like most today it is made in China.

Los Lobos's Kiko Makes Its 180g Vinyl Debut

Editor’s note: This review originally appeared in Volume 3, #1, issue 11, Spring 1997 of The Tracking Angle, the print magazine I edited and co-owned with my publisher/partner Nick Despotopoulos. It was part of a Los Lobos album survey “Los Lobos on Record,” which analogplanet.com will soon publish. The appraisal of Mobile Fidelity’s new 180g vinyl reissue obviously is new.

Primary Category: 
Category: 
Cred Label: 
Slash/Warner Brothers/Mobile Fidelity 1-371 180g LP/SACD
Cred Prod: 
Mitchell Froom and Los Lobos
Cred Eng: 
Tchad Blake
Cred Mix: 
Tchad Blake at Ocean Way
Cred Mast: 
Krieg Wunderlich on the Gain 2 Ultra Analog System™
Nothing Los Lobos recorded previous to 1992’s Kiko could have prepared anyone for this piece of sustained, surreal brilliance. Dreamlike sonic vistas, ominous lyrical horizons, mysterious musical crevices, and spring-like rhythmic compressions and extensions combine to create a dayglo, funhouse-like environment filled with familiar, but oddly drawn musical elements.

LKV Research Phono 2-SB MM/MC Phono Preamplifier: Affordable Excellence Page 2

COMMENTS
OrangeMath's picture

I had a good audiophile system (Linn Sondek/Ittok/Denon DL-103R - older Linn Phonostage - Ayon Orion II - NOLA Contenders). Still, I have listened to better systems at less than I've shelled out, and I have listened to many better systems. In short, everyday I was always a little unhappy during playback.

Not now!

Replacing an older Linn with the LKV allowed a calm purity to enter my home. I started listening at lower volumes and was fully drawn in. The reality level is so high that I'm really happy with my entire system now and have been for many months.

I'm using RCA connectors and the 2-SB +6db version for the 0.25 mV Denon. My volume control setting on the Orion 2 in triode mode is the same (9-10 o'clock) as when I'm using my DAC and my 30 Watt Orion isn't pushed. I think I could use a 15-20 Watt amp with my 90 db NOLAs easily. In short, I think LKV is somewhat conservative on the gain numbers.

Thankfully, I met Bill Hutchins at THE Newport 2013. Since it's practically pointless auditioning a phonostage in someone else's equipment; he also went over his design and JFET choices with me during a lull in traffic. I was impressed enough to buy. My lucky day. Furthermore, you'll enjoy knowing Bill.

Comment: Before installing the LKV, I considered the inexpensive Denon (about $300) as the most obvious place to upgrade. It wasn't. It was the phonostage, which surprised me. Spending the money on a phonostage is more paramount than upgrading a cartridge. The LKV 2-SB has an exceptional performance/price ratio.

volvic's picture

Which Linn phonostage did you have?  Kairn? Magic? LK1? Just curious.  

Nick 

my new username's picture

One of these day, Mejias or someone should try the SP-FS52-LR. 

$260/pr and clean, musical mid-bass adds to the rest of what's so good about the smaller Pioneers. The '51's from the previous line were also probably pretty good but I never got a chance to hear them.

Bill - LKV's picture

As Michael described, the Phono 2-SB has a number of user adjustable settings for gain and cartridge load.  This flexibility makes the 2-SB suitable for use with a wide variety of cartridges (from high output MM to quite low output MC) and other gear.  If a customer is willing to give us a few details about his or her system (cartridge, balanced or single ended connections, etc.), we set the appropriate gain and cartridge load in that customer’s unit before we ship.  This way the 2-SB is virtually “plug and play” right out of the box.  Those who want to experiment with other settings (that can be part of the fun, after all) will find in the user’s manual clear instructions with diagrams and pictures on how to make adjustments.  And, anyone is invited to call or email us with any questions or concerns they may have.

Michael described the cartridge load options set out in the user’s manual.  There are actually some  more possible settings the user can select.  To avoid getting absurdly complicated, we left them out of the manual.  But they are available on the stock unit.  Anyone who is interested should give me a call. 

Michael makes a good suggestion about putting a few extra shunts (we have taken to calling them “hats”) in the box with each unit.  I think we’ll start doing that. Also, Radio shack sells “surgical pliers” that work very nicely for moving the hats around.

The name seemed like a good idea at the time, but it has proven to be a nuisance.  It’s hard to type, and cumbersome to say.  Our next two products, which should come out this spring, will have simpler, easier names.

Bill Hutchins

Chief Designer

LKV Research, LLC

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LKV Research Phono 2-SB MM/MC Phono Preamplifier: Affordable Excellence

Made in the White Mountains of New Hampshire, USA, using where possible American parts, designer Bill Hutchins’ LKV Research Phono 2-SB has the kind of Japanese corporate name that doesn’t exactly roll off the tongue.

Blue Note Announces 100 Classic Jazz Titles on 180 Gram Vinyl

To celebrate the 75th anniversary of Blue Note Records, the label will be reissuing in 2014 100 classic Blue Notes on 180 gram vinyl beginning with five on March 25th: Art Blakey's Free For All, Coltrane's Blue Train, Eric Dolphy's Out to Lunch, Wayne Shorter's Speak No Evil and Larry Young's Unity.

Tips on Some Good VICs!

You say you don't want to spend hundreds on an original LSC-1806 "Living Stereo" or LSC-1817 or $1500 on the Soria box set LDS-6065? That's understandable. By the numbers: LSC-1806 is the 1954 stereo spectacular "Also Sprach Zarathustra" with Fritz Reiner conducting the Chicago Symphony. Of course RCA couldn't issue it on vinyl in 1954, though it did issue it in stereo on reel to reel tape well before the vinyl, which didn't get released until 1960.

Analogplanet Has Egg on its Record: Academy Records Gets An Apology

We screwed up publishing the "records in the dumpster in front of Academy Records" news item. Yes, we confirmed that the records were there but that's not the real story according to Academy owner Mike Davis who was rightfully pissed. We apologize profusely for our error.

"The Royal Sessions" Finds Paul Rodgers In Fine Voice

You can argue over who is the greatest rock singer, but there's no arguing whether or not Paul Rodgers would be high up on every list compiled by music critics and fellow musicians alike. Rolling Stone placed him at #55 in its list of greatest singers male and female all rock era genres but I'm more inclined to side with John Mellencamp who in 1991 called Rodgers "the greatest rock singer ever".

Primary Category: 
Category: 
Cred Label: 
429 Records/Pie Records FTN 17972 180LP/17969CD
Cred Prod: 
Perry A. Margouleff
Cred Eng: 
William Wittman
Cred Mix: 
William Wittman (and Perry A. Margouleff on "Walk on By")
Cred Mast: 
Ryan K. Smith at Sterling Sound
You can argue over who is the greatest rock singer, but there's no arguing whether or not Paul Rodgers would be high up on every list compiled by music critics and fellow musicians alike. Rolling Stone placed him at #55 in its list of greatest singers male and female all rock era genres but I'm more inclined to side with John Mellencamp who in 1991 called Rodgers "the greatest rock singer ever".

Beethoven Violin Concerto, Leonid Kogan, The Paris Conservatoire Orchestra Conduced by Constantin Silvestri

The first stereo release from The Electric Recording Company is a reissue of Columbia SAX 2386 first released in 1959 . It is a much sought after record as the used prices for clean copies are nothing short of astronomical— $3000 and up. Kogan was born in the Ukraine in 1924 and died of a heart attack in 1982 at age 58 a few days after playing this piece in Vienna. His western discography isn't extensive and the few he recorded for the Columbia division of EMI are the most collectible.

Primary Category: 
Category: 
Cred Label: 
EMI/Electric Recording Company SAX 2386
Cred Prod: 
N/A
Cred Eng: 
N/A
Cred Mix: 
N/A (surely FZ was heavily involved)
Cred Mast: 
Pete Hutchison and/or Sean Davies
The first stereo release from The Electric Recording Company is a reissue of Columbia SAX 2386 first released in 1959 . It is a much sought after record as the used prices for clean copies are nothing short of astronomical— $3000 and up. Kogan was born in the Ukraine in 1924 and died of a heart attack in 1982 at age 58 a few days after playing this piece in Vienna. His western discography isn't extensive and the few he recorded for the Columbia division of EMI are the most collectible.

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