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Michael Fremer  |  Jan 24, 2015
Workingman's Dead and American Beauty have long been considered to be the two Grateful Dead albums for people who don't think they like the Grateful Dead.

Julie Mullins  |  Nov 18, 2024

In recent years, Capital Audiofest has continued expanding to encompass exhibit rooms across more than four floors in addition to dozens of other exhibitors in conference rooms and halls throughout the hotel — 125 rooms, and 50 booths in all — including vinyl and accessories sellers in the atrium. We here at AP figured we’d approach things a bit differently this year and post multiple, short-form analog-centric highlights from the show across several brief installments — so, without further preamble, here’s Part 1 of Julie Mullins’ show report, featuring gear from Belleson, Rega, Linear Tube Audio, Volti Audio, and Anticables. . .

Julie Mullins  |  Nov 19, 2024

Welcome to Part 2 of our Capital Audiofest 2024 show report! In this installment, Julie Mullins reports on what she saw and heard from Perpetuum Ebner, Ortofon, Phasemation, Synthesis, and Rethm. . .

Julie Mullins  |  Nov 20, 2024

Welcome to Part 3 of our Capital Audiofest 2024 show report! In this installment, Julie Mullins reports on what she saw and heard from Thuono, Grandinote, and Kimber Kable. . .

Julie Mullins  |  Nov 21, 2024

Welcome to Part 4 of our Capital Audiofest 2024 show report! In this installment, Julie Mullins reports on what she saw and heard from Pure Fidelity, Vandersteen, EMM Labs, DS Audio, and AudioQuest. . .

Julie Mullins  |  Nov 22, 2024

Welcome to Part 5 of our Capital Audiofest 2024 show report! In this installment, Julie Mullins reports on what she saw and heard from Pure Fidelity, Falcon Acoustics, Lab12, and ArgentPur. . .

Julie Mullins  |  Nov 26, 2024

Welcome to Part 6 of our Capital Audiofest 2024 show report, the last iteration before the Thanksgiving holiday takes full hold! In this installment, Julie Mullins reports on what she saw and heard from Robyatt Audio, VPI, Bird of Prey, Tzar, Java Hi-Fi, and Quad. . .

Julie Mullins  |  Dec 03, 2024

Hope everyone enjoyed the Thanksgiving break! We’re now back on track to lean into December with Part 7 of our Capital Audiofest 2024 show report. In this installment, Julie Mullins reports on what she saw and heard from Archer High Fidelity, Cambridge Audio, Audio-Technica, and Analysis Plus. . .

Julie Mullins  |  Dec 07, 2024

We continue diving headlong into December with Part 8 of our Capital Audiofest 2024 show report. In this installment, Julie Mullins reports on what she saw and heard from VPI, Audio Research, Revox, PureAudioProject, and Luminous Audio Technology. . .

Julie Mullins  |  Dec 10, 2024

We’re going back to the future, if you will, with Part 9 of our Capital Audiofest 2024 show report. In this installment, Julie Mullins reports on what she saw and heard from Command Performance AV’s ‘80s-themed room at the show, which featured modern-day gear from J.Sikora, Aidas, Lyra, Doshi Audio, Audiovector, REL Acoustics, Cardas Audio, and HRS. . .

Mike Mettler  |  Nov 11, 2024

As we take a brief pause to honor all who have served here on Veterans Day, I did want to take a moment to note that we will soon enough be posting extensive coverage of this past weekend’s Capital Audiofest, which was held in Rockville, Maryland, this past weekend (November 8-10, 2024).

Mike Mettler, Ken Micallef  |  Nov 13, 2024

Last week, Capital Audiofest ruled large in the Washington, DC area from November 8-10, 2024 — and, as always, I anointed our main product reviewer Ken Micallef to shoot as much video footage as he could of all the cool turntables and other analog-centric gear and goodies he came across at the show. CAF offers “a world of vinyl, gadgets, turntables, amplifiers, loudspeakers, and the mad audiophiles who love them,” as Ken has noted about the show in recent years, and CAF 2024 once again delivered on that promise in full. You too can see what Ken saw at the show in the 9-minute video we’ve just posted on our YouTube channel that you can also now watch in the story below. . .

Michael Fremer  |  Mar 25, 2020
Last year (April 8th 2019) while visiting contributing editor Malachi Lui in Portland, we paid a visit to Cascade Record Pressing in nearly Milwaukie, Oregon. For one reason or another the tour video never posted, until now.

Michael Fremer  |  Nov 03, 2003

Late breaking news (11/6): an individual who works for CBS News has emailed Musicangle to plead his network's case. The individual claims that CBS head and "staunch Democrat" Les Moonves pulled the series not because of pressure but because after having seen the rough cuts, he decided he was not getting the movie he'd ordered, and that it was not sufficiently strong to be aired during the crucial November sweeps (ratings). "This is business, baby," our correspondent avers. We'll take him at his word, though given how much crap ends up on the networks, the reason is still suspect.

Elliot Kallen  |  Sep 30, 2003

Editor's note: The album covers accompanying this survey appear separately in our "photo gallery" which can be accessed near the bottom of the home page. We are proud to have Elliot Kallen's byline appear on musicangle.com

(This is a survey of the recorded output of saxophonist Charles Lloyd, from his first appearance on record with the Chico Hamilton band to his present work on the ECM label as leader. As such, it's not a detailed listing of every single date he's done, merely my personal choices for content, interest, or historical context. I've used the framework of an interview with Lloyd to flesh out some of the circumstances and musical environments that helped produce the albums. In other words, if I've left out one of your favorite Lloyd sessions...get over it.)—EK

In the middle 1960's, Charles Lloyd's jazz group was a bona fide phenomenon. Audiences connected with their vibrant blending of jazz improvisation and propulsive rock rhythms. They were the first jazz group booked into the premiere rock palace of the day, the Fillmore Auditorium in San Francisco. They brought their heady concoction of musical freedom to virtually every corner of the globe, and were received as avatars in the process. Critics were often divided, but the audiences, mostly composed of younger people, were immediately drawn to the band's sound. An album recorded live at the Monterey Jazz Festival, Forest Flower, sold like a rock album.

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