Features

Oh, where did the time go. . .? It’s been yet another year of acquiring, archiving, cleaning, spinning, and listening to LP after LP, and box set after box set — and sometimes, even some EPs and 45s got into that mix as well! Naturally, before the big mid-week holiday festivities take over our front-of-mindsets, we here at AP feel it’s the exact right time to determine the best of what we’ve heard on vinyl during the past 12 months — and we’ll be covering our favorites of the year in two installments. Between the two of us — i.e., 1) Mike Mettler, your intrepid AP editor, and 2) chief LP reviewer, Mark Smotroff — we have listened to multiple-hundreds’ worth of albums on vinyl in 2025 apiece, so check out Part 1 to see what our 10-plus favorite archival reissue LPs of the year are. . .

Another year of LP acquiring, cleaning, listening, archiving, and spinning, and archiving has come and gone — and not necessarily always in that order, either! — so, naturally, before the big holiday week takes hold of our respective calendars, we here at AP feel it’s the exact right time to determine the best of what we’ve heard on vinyl during the past 12 months. Between the two of us — i.e., 1) Mike Mettler, your intrepid AP editor, and 2) chief LP reviewer, Mark Smotroff — we have listened to multiple-hundreds’ worth of albums on vinyl in 2024 apiece, so read on to see what our 20-plus favorite reissues and new LPs of the year are. . .

Manhattan’s All Blues played host to Zev Feldman’s traveling Record Store Day (RSD) cavalcade this past Wednesday, April 2, 2025. Joined by jazz journalist, Jazz and Coffee’s Syd Schwartz, Feldman gave the backstories and played selections from his upcoming RSD 2025 releases. These six RSD releases followed Feldman’s typical Jazz Detective approach, mining tapes from radio stations, performance venues, and collector’s vaults, pressed to virgin vinyl. The accompanying video, shot by our resident jazz expert Ken Micallef, gives you a deeper taste of what the night looked and sounded like. . .

Since the sound was so different, could it be recorded? And might people visiting analogPlanet’s YouTube channel hear the differences?