Features

Jeff Beck, an innovative guitarist of the highest order, passed away in his native England on January 10 at age 78, following a brief illness. Beck — who bent notes and wrangled chords like no other guitar player could — made his initial mark as a member of The Yardbirds in the mid-1960s before branching out on his own with the Jeff Beck Group and other ensuing solo ventures. Blow by Blow and Wired, Beck’s million-selling instrumental-driven albums of the mid-1970s, merged the finest tenets of fusion, funk, and rock into a genre unto itself that I’m calling Beckism — in turn shaping the template for vocal-less releases by artists of all walks of musical life for years to come. Naturally, the balance of Beck’s vaunted recording career can be appreciated on vinyl via LPs and 45s both vintage and new. Read on to get our take on a number of Beckism highlights on vinyl that define the legacy of this truly unique guitarist for the ages. . .

He didn't play an instrument and he didn't sing, but Brian Eno was in the band, and the band was Roxy Music. So what exactly did Eno (full name Brian Peter George St. John de Baptiste de la Salle Eno-wouldn't you shorten it?) do for Roxy Music, which he co-founded in London with Bryan Ferry back in 1972? Listen to Stranded the first Eno-free Roxy album and you'll hear something missing. Or, listen to pre-Eno U2 albums, and then to The Unforgettable Fire the first Eno produced U2 album, and you'll hear something added.

“Canvas the town and brush the backdrop…”

Brian was already smoking pot by late 1964, and his first efforts combining reefer and music were promising: most of the songs on side two of The Beach Boys Today, particularly “Please Let Me Wander”, showed Brian expanding on the beautiful, innocent vulnerability which began with “Surfer Girl”. His arranging skills in particular were growing into something completely different by this time, and culminated with the burnished spiritual gauze of Pet Sounds. Brian later revealed that the gleaming introduction to “California Girls” was composed following his maiden L.S.D. voyage. But, Brian Wilson, a man of delicate psyche to begin with, was probably not someone who should have taken large amounts of psychedelics. But along with this, speed - especially a compound called Desputol (sic) - was becoming more and more prevalent in Brian's world. The result was a man with many of the casebook symptoms of abusing the drug, the biggest and most obvious being overwhelming paranoia. Brian began talking about Murry bugging his house, Phil Spector (and his 'mind gangsters') attempting to freak Brian out via director John Frankenheimer's film “Seconds”. Brian's mind must have been like a spooky house of mirrors at the time. Van Dyke later commented, “If you go to the dark side of the moon, you're lucky that you don't get burned up on re-entry…”