Michael Fremer

Worldwide distributors, key retailers, representatives of Fine Sounds Group-associated companies McIntosh and Audio Research as well members of the audio press gathered at Sonus Faber’s Vicenza Italy factory March 26th throu the 29th to celebrate in grand Italian style the speaker company’s 30th anniversary.

The celebration’s focal point was the all new X3ma loudspeaker, which was developed over the past year and a half by Sonus Faber’s design team using as its inspiration the original 1991 Extrema, a legendary stand mounted design that extracted maximum and at the time seemingly impossibly performance from a two-way loudspeaker.

Last April, the iconic, innovative and internationally renowned force in avant-garde music The Art Ensemble of Chicago released their 50th anniversary celebratory album We Are On The Edge. Erased Tapes just issued two vinyl editions of this release, one a double LP studio session featuring a newly assembled group of musicians performing new versions of works spanning the past 50 years, some never before recorded, plus new compositions. The second set is a 4 LP special edition that also includes a live set recorded at Ann Arbor, MIchigan's Edgefest, the annual experimental jazz and creative new music festival.

With more than 15,000 views on YouTube in two weeks, young record collector and audio enthusiast Malachi Liu's first visit to editor Michael Fremer's listening room clearly resonated with viewers. He's soon off with his family to Portland, Oregon but before leaving and after returning home from summer music camp, he paid a second visit.

The issue here isn't Norah Jones, it's the amount. While Jones "burst upon the scene" more than a decade ago while still in her early thirties with her debut album come away with me, she was hardly an overnight sensation. What's heard on that memorable debut is the result of years of live playing at The Living Room, an intimate, lower Manhattan club that encourages artistic growth over headliners.