The boomer generation is firmly out of cultural control and rock is pretty much dead—not in terms of interest but in the same way big band music is dead—though back in 1980 when this Linda Ronstadt concert was produced and recorded for an HBO special, boomer power peaked.
Maybe you've heard this story before: after Richard and Linda Thompson's legendary 1982 Roxy performance in support of their Shoot Out the Lights album, Linda collapsed backstage and was spirited off to Malibu by Linda Ronstadt. Thompson's marriage was breaking up before the tour and singing songs about a breakup, which Richard insisted at the time were not autobiographical, was just too much for her. It was easily one of the most memorable live musical experiences I've had-especially since I went with my ex-girlfriend who'd broken up with me a few months earlier.Maybe you've heard this story before: after Richard and Linda Thompson's legendary 1982 Roxy performance in support of their Shoot Out the Lights album, Linda collapsed backstage and was spirited off to Malibu by Linda Ronstadt. Thompson's marriage was breaking up before the tour and singing songs about a breakup, which Richard insisted at the time were not autobiographical, was just too much for her. It was easily one of the most memorable live musical experiences I've had-especially since I went with my ex-girlfriend who'd broken up with me a few months earlier. That allowed me to double the intensity of the pain emanating from the stage.
Mining America's musical blue highways is Sundazed's specialty. This collection of Wray's Swan singles, “A” and “B” is a perfect example of what the label does best. Best known for his classic hit, the trend-setting, iconic “Rumble,” the guitar twanger had a long, if not quite as successful recording career afterwards, specializing in rock'n'surf tinged, raunchy instrumentals. When he did sing, it was Elvis all the way-and a good Elvis it was, augmented by some hard-edged falsetto screaming.
Long before the Swedes at Ikea did it, the singular Scotsman Ivor Tiefenbrun began giving his products funny-sounding names. For some reason positively phobic about the letter c, he banned its use in any of those names. Someone once told me his real last name is Tiefencrun, but since it wouldn't sound any different with a k, he settled for a b. "I could have been Ivor Tiefendrun, or Tiefenfrun, or Tiefengrun, for that matter," he's quoted as having said once while krunching a krakker.
Krall’s cool, detached yet available look on the front and back covers of this popular 2002 release let you know from whence the emotions flow here. She sells these standards intimately yet barely rising above a warm smolder, leaving you to crack the code.
After posting the story "Three Percussion Records You Should Own Bob Ludwig emailed that I should get Percussion Music (Nonesuch H-71291). I emailed back that I had it and that prompted the decision to produce an all-percussion show for tomorrow’s WFDU HD2 AnalogPlanet radio show.
SweetVinyl's Dan Eakins demonstrates the company's Sugar Cube that digitizes vinyl at 192/24 or DSD and stores files on a USB stick—that's only a small part of what this device can do.
The new subscription-based vinyl-only label Newvelle Records has given analogplanet.com permission to post this video with audio sourced from "Return" Jack DeJohnette's first solo piano record and the label's latest release.
Last winter analogplanet.com editor Michael Fremer attended a Music Matters event at Denver's Listen Up! retailer. Retailers throughout the country hold these "meet and greet" events for their regular customers and to attract new ones to the store.