I literally dropped everything when Rega's new Planar 25 turntable arrived a few weeks ago. I'd heard the 'table compared with the Planar 3 at designer Roy Gandy's house when I visited Rega last fall—see "Analog Corner" in the January '99 Stereophile—and was anxious to audition it in my own system and tell you what I heard.
More than 20 years have passed since analogPlanet.com editor Michael Fremer first visited Rega Research. Back then the company had just moved into its recently completed, spacious new factory and there was room to spare.
In this segment we see electronics being "soak tested", see tone arm wiring looms being produced and watch how even the least expensive P1 arm is carefully hand-assembled.
Call it “P8” or “Planar 8” but do not call this new Rega turntable “RP8”. That was the previous 8. Despite the obvious superficial Rega similarities the new Planar 8 differs greatly from its predecessor.
So you've got a Rega turntable and you love the sound and the performance bang you get for the buck, but you don't like that you can't easily adjust VTA/SRA because the rear of the arm is bolted down?
Rega’s versatile $1500 Aria phono stage combines high build quality, flexibility and dynamic capabilities more commonly found in more expensive phono preamplifiers.
Rega's current "top of the line" RP10 features the RP8's "skeletal" frame but ups just about everything else. It features a ceramic platter similar to the P9's as well as an aluminum alloy sub-platter and pulley, a new iteration of Rega's venerable cast tonearm and an upgraded power supply that allows for speed adjustment.