U.K. based Sugden Audio has been in business for almost fifty years. The company once had a strong American presence but for some reason that eventually faded. Tone Audio now imports to America Sudden's new PA-4 phono preamplifier.
MISTELBACH, AUSTRIA (May 3, 2022) - Sumiko and Pro-Ject USA today announced the new E1 budget-priced turntable line designed and produced in Europe. The E1 turntable is available in three versions: the E1 ($349) the E1 SB with with built in switchable phono preamplifier ($399) and the E1 BT ($499) featuring both built-in switchable phono preamp and a Bluetooth wireless transmitter to connect wirelessly to soundbars and powered speakers.
SOTA turntable co-founder David Fletcher recently passed away at age 81. The experimental physicist left the U.C. Berkeley Particle Lab to be his own boss. In 1972 he co-founded Sumiko. Both companies remain in business though Fletcher long ago sold his shares.
Sumiko, celebrating its 40th year, recently introduced to its extensive lineup three new cartridges. Two are in the company’s Oyster line: the Blue Point 3—low and high output versions priced at $499 clams, and a new Reference Line Celebration 40 priced at $2799.
Sumiko could fill more than a few hotel rooms with all of the Pro-Ject turntables in the company's extensive line that it imports to America, but chose instead to pare it down to a smart few in its own room (other models where sprinkled throughout the show).
Any resemblance between Sumiko’s $899 “Songbird” high output moving coil cartridge and the rest of the Reference line’s “bird” cartridges—the $1249 Blackbird (available in both low and high output versions) and the new $1899 “open architecture” flagship Starling is strictly intentional. Sumiko has been in the cartridge business for decades and these are all made in the same reliably high-quality factory that I visited a few years ago.
Smartly arranged and orchestrated, nicely recorded and beautifully packaged, Bright Eyes’s latest double LP set is a wistful set that begins oddly but effectively with a denouement of a song about the encroaching pincer forces of corporate, military and religious aggressors (“If you think that God is keeping score, hooray!”)