Michael Fremer

I don't what Rudy Van Gelder was thinking or doing when he recorded the opening tune "Zoltan," by Woody Shaw who's on trumpet here. Rudy's got Elvin Jones' drum kit mixed way up front in the right channel and he's positively nailed Jones' muscular cymbal sound. And he's got Young's Hammond B-3 appearing three-dimensionally well-focused and forward of a line between the speakers. That's unusual for Rudy. He gets great presence from Shaw's trumpet in the left channel and Joe Henderson's tenor in the right.

They’ve been out of commission for 22 years, but you’d never know it listening to Mission of Burma’s powerful, bracingly-fresh, time-warp of a post-punk/art-rocking noise assault, recorded last year. It sounds more like someone lowered the stylus on a record that’s been spinning silently for decades than the premier effort of a re-formed trio of middle- aged geezers who sound as youthfully exuberant as they did in 1979.

Equipped with John Mellencamp's then recently acquired vintage 1/4" reel-to-reel 1955 Ampex 601 mono tape recorder  and a pair of iconic 50's era RCA ribbon microphones ( a 77 DX and 44 used singly) presumably supplied by producer T-Bone Burnett, the duo, accompanied by Mellencamp's wife Elaine, who shot the album's cover photo, hit the road during a break in last summer's  Bob Dylan-John Mellencamp-Willie Nelson tour to record thirteen freshly penned songs Mr. Mellencamp had written over thirteen prolific days.