Analogue Productions has just released Tea For the Tillerman on a double 45rpm 200g, numbered, limited to 3500 copies edition, mastered by George Marino. What? Didn't he pass away a few years ago? Yes. The double 45s were cut when the tape was available "just in case". And it's "in case" time. Especially since AP's license on the title is about to expire, so it's also "get it while you can" time, "in case" you really like this record.
E.C.’s tenth studio record, released in 1986, is among his finest musically and sonically, which explains why it wasn’t well received on the pop charts. It only went to #39.
I missed Record Store Day this year. As some of you know, I was banned last year from my local record store for good behavior. I did nothing wrong. The owner's brother started lecturing me rather angrily on how to remove a record from a jacket and it escalated out of control from there.
Many analogplanet.com readers are well-acquainted with Eric Leefe's story. For those who are not, I first read about Eric in an inspirational piece by music journalist Jim Beckerman published last summer inThe Bergen Record.
AXPONA 2015 presents "AudioCon" Friday April 24th through Sunday April 26th at Chicago's Westin O'Hare Hotel. Analogplanet will be covering the show here and presenting seminars as well as tweeting (@analogplanet) breaking news.
In this You Tube video, analogplanet editor Michael Fremer takes a look and limited listen to Universal Music's new 8 LP Roxy Music box set and finds some sonic surprises.
AXPONA Audio Con is NOT WELCOME in Chicago and the city is not glad the show is here. What other conclusion can one draw upon landing at O'Hare and waiting to pick up one's luggage only to be confronted by the sign you see at the top of this story?
True, there were no seats so everyone had to stand, but Patricia Barber and her accompanying trio played to an appreciative, but foot-weary full house in the O'Hare Westin ballroom Friday evening.
Barber, whose overexposure (like that of Diana Krall and a few others) has produced an unfair backlash among some audio enthusiasts, demonstrated that she is an artist worthy of serious consideration and not a flash-in-the-audiophile-community-pan.
At AXPONA 2014 CoolCleveland.com's Thomas Mulready interviewed me following a turntable set-up seminar. This year he returned and asked me to conduct an on-camera CD vs. vinyl "shootout" using Roxy Music's Avalon as the test subject.