Michael Fremer

Miles Davis's second collaboration with arranger/orchestrator Gil Evans (and the first recorded in stereo) is arguably the duo's best effort—a majestic, moody re-working of George Gershwin's classic folk opera recorded in three summer of 1958 sessions at Columbia's 30th street studios.

Craft Recordings recently announced the first ever on vinyl release of Collective Soul's 1994 eponymously titled sophomore album as well as a vinyl reissue of the album's 1993 debut album hints allegations & things left unsaid. The CD reissue includes six bonus tracks

Talk to vinyl fanatics about record-cleaning fluids? I’d rather discuss with Rummy the wisdom of invading Iraq, or debate with drug czar John Walters the efficacy of the so-called “war on drugs.” I’d rather talk to a wall. But here I am talking about them, having spent the better part of the summer swimming in the stuff. So many claims are made about how well they clean, and even about how they sound, that I decided a careful survey was in order. Remind me never to do it again.

The big Bob Dylan knocks are that he’s a serial plagiarist, a user, a manipulator and most damning of all that he’s “inauthentic”. Joni Mitchell is reputed to have said about Bob “….he’s borrowed his voice from old hillbillies. He’s got a lot of borrowed things. He’s not a great guitar player. He’s invented a character to deliver his songs. It’s a mask of sorts”.