Pushkin co-founder Malcolm Gladwell and his friend Bruce Headlam, co-founder of music podcast Broken Record (under the Pushkin umbrella, in which they share hosting with Rick Rubin), team up to converse with and attempt to “explain” Paul Simon’s genius in “Miracle and Wonder”, a lengthy, impeccably produced multi-chapter audio biography they rightly call a “book”.
The extensive Hana moving coil cartridge lineup manufactured in Japan by the half-century old Excel Sound Corporation (“controversial” factory tour embedded below) is a high value, performance, and quality, logically progressing array that until the release of the $3950 Umami Red was priced from a $475 low to a $1200 high. Remarkably moderate prices in today’s cartridge market.
Crescent, John Coltrane’s 9th Impulse! Album, released in the summer of 1964, followed a pair of live albums (Live at Birdland and Impressions [mostly live tracks from the Vanguard dates]) and a pair of collaborations (Duke Ellington & John Coltrane, and John Coltrane and Johnny Hartman) with Ballads—a quickly recorded album of standards sandwiched in between.
Toneoptic founder and graphic arts designer Fabian Geyrhalter decided "It is time to rethink how we store and select records". He's come up with a unique, patent pending design and hired "the best designer, engineer and advisors (from Frank Gehry Partners, Boeing Aircraft and Cambridge Audio amongst others)" to execute the concept.
We know that relationships dictate our life’s outcome. However, what isn’t obvious is the way relationships exist not only between people, but also within and beyond them. Singer-songwriter Lana Del Rey fortunately knows this well, though now more than ever she understands their utility. On Lana Del Rey’s second 2021 album, Blue Banisters, she proves that intrapersonal, environmental, and especially interpersonal relationships all teach valuable lessons promoting future wellness.
Listening today to this record originally released February, 1962—60 years ago—it’s difficult to understand why it created controversy so intense that Downbeat’s editor at the time invited Coltrane and Eric Dolphy to “defend” it in print. On the other hand, if you’re looking for a jazz album entry point, this live album probably wouldn’t be it—especially side two. Sixty years on, “Chasin’ The Trane” (name given by RVG who said he literally had to “chase Coltrane” on mic to capture him during the performances) might still send some running for cover (or covers, of which there’s but one on here, Hammerstein and Romberg’s beautiful “Softly As In a Morning Sunrise”).
John Hartford (1937-2001) wrote “Gentle On My Mind” which won four Grammys, was chosen by BMI as the #16 Song Of The Century, was in 1990, the fourth most played song in the history of radio, has been covered by dozens, including Elvis, Sinatra and REM and by 2017 had been downloaded 250,00+ times. He was a regular on The Smothers Brothers, The Glen Campbell Goodtime Hour and the Johnny Cash TV shows. Between 1967 and 1970, he recorded seven albums for RCA which are an uncategorizable mixture of folk, rock, country, bluegrass, easy listening, psychedelic-folk and just plain oddness. If that wasn’t enough, he got hip credentialled by playing on The Byrds’ Sweetheart of The Rodeo LP.