Gerry Rafferty has long been under-appreciated. Oh, sure, "Stuck in the Middle" was an unlikely hit when first released by A&M in 1972 and later found its way into Quentin Tarrantino's "Reservoir Dogs" where the bouncy, anthemic, Dylanesque record company exec knock reached a new audience.
Analogue Productions recently completed one of the major reissue projects in modern vinyl playback history with the release of the final eight Beach Boys albums in both mono and stereo.
The just released (November 18, 2016) six LP box set of the four Brahms symphonies recorded direct-to-disc performed by Sir Simon Rattle and The Berlin Philharmonic before a live Philharmonie audience is as meticulously produced and presented as its existence is unlikely.
Last May 11th 2019 guest conductor Bernard Haitink conducted the BPO in his final performance with the orchestra. At the time plans were made to record the performance of Bruckner's 7th symphony "Direct-to-Disc" neither the orchestra nor the conductor knew it would be their last collaboration. Haitink announced his retirement shortly after the concert.
Jamaican-born pianist Monty Alexander still tours at age seventy two. He was but thirty two when this live album was recorded at The Montreux Jazz Festival.
There was a period in '60s record history when you could buy "by the label" and pretty much be assured of a great listen. It was true of Elektra and later, after it got off its "high horse," Columbia, which for a while wouldn't touch rock.
I’ll tell you how I got into medieval era dance music similar to what’s on this record and on la Spagna: back in 1969 when I worked in the downstairs record store division of Minuteman in Harvard Square, a salesman named Duane who worked upstairs selling audio gear I could not at the time afford, insisted I buy a record on Deutsche Grammophone’s Archive Production label.