The Electric Recording Company announced today it will be releasing John Coltrane's ground breaking 1959 Atlantic album Giant Steps cut from the original Atlantic master tape using a mono cutter head on its 1965 all tube Lyrec cutting system.
Keyboardist Michael Weiss released in 2003 a CD of his all-analog (AAA) production of Soul Journey, a collection of nine original compositions arranged for sextet featuring Steve Wilson, alto sax, Ryan Kisor, trumpet and flugelhorn, Steve Davis, trombone, Paul Gill, bass and Daniel Sadownick, percussion. It was recorded to 2 inch 30IPS tape at Avatar Studios New York by Joe Ferla and mixed by Joe to 1/2" 30IPS analog tape.
Here's a vinyl transcription at 96/24 of "Rocks Off" from an original Artisan mastered copy of Exile on Main Street. After the band finished their overdubs in Los Angeles they ran the tape over to Artisan for vinyl mastering. This is the version to own.
Analogue Productions recently completed one of the major reissue projects in modern vinyl playback history with the release of the final eight Beach Boys albums in both mono and stereo.
The release blurb for Eric Clapton's new Glyn Johns produced and engineered record has left some readers confused about the source. Bob Ludwig clears it up.
Three years before he passed away in 1983 at age 60 from lung cancer, a somewhat diminished Johnny Hartman entered Ben Rizzi's Master Sound Productions in the small Long Island 'burb of Franklin Square and recorded this album for the small Bee Hive label. It would be his next to final appearance on record, and one that earned him a "Best Male Jazz Vocalist" Grammy Nomination.
The Southern California retro-band Calling Cadence signed to Hi-Res Records recently released an eponymously titled debut album recorded, mixed and mastered "the way they used to" make albums: recorded and mixed to analog tape and mastered by Kevin Gray from the analog master tape, and pressed at RTI on 180g vinyl. The cover image of an 8-track tape helps seal the retro-deal as does the music.
Taking a break from High End Munich coverage of which there's a lot more, brings me to Analog Spark's recent reissue of Bernstein Conducts Rhapsody in Blue/American In Paris (Columbia MS 6091).
At this point in his life and career, Eric Clapton has nothing to prove to anyone but himself. He’s gone from being called God on now famous graffiti that embarrassed him but others found justified, to later being called a snooze during a stretch of less than inspiring records and perhaps overexposure.