Little Feat was never an "album" band, even though they released many good records. They were low concept and high boogie. The groove was cerebral though, not the mindless "good time" endless fist pump variety mainly because of the playful and smart Lowell George. Lowell was from Baltimore,MD.
The press release says "remastered from the original analog tapes by Jimmy Page and pressed at Pallas" but of course we know that Page did not cut the lacquers. Not a problem. But when it says "remastered from the original analog tapes" does that mean "to digital" for CD and LP reissue? Or does that mean the lacquers were cut from the original analog tapes?
I missed Record Store Day this year. As some of you know, I was banned last year from my local record store for good behavior. I did nothing wrong. The owner's brother started lecturing me rather angrily on how to remove a record from a jacket and it escalated out of control from there.
At a hi-fi show in Germany a few years ago, an audio club had set up a room filled with a dozen well-known turntable/tonearm combos. I recall seeing the Clearaudio/Souther, Immedia RPM-2 and arm, VPI TNT Mk.IV/JMW Memorial, Basis 2500/Graham 2.0, Oracle/Graham, Linn LP12/Ittok, SME Model 20/SME V, and some others I can't remember, including a few not exported from Germany.
Constellation, a consortium of designers headed up by industry veteran Peter Madnick introduced the long awaited Perseus phono preamplifier designed by the legendary John Curl who says this is his best yet phono preamplifier.
Part New Jersey diner, part Wurlitzer jukebox, with a snakelike tonearm that at certain angles looks vaguely lewd, this boxy, man-sized creation from Australia seems to have been built around its distinctive looks rather than for any functional purpose. Combine that with its sky-high price—itself almost obscene—and the result is apparently the sort of product that envious, cynical, self-loathing audiophiles love to hate, and reviewers love to write about.