Cleanervinyl.com's cavitation-based record cleaning system consists of the One single LP powered cleaning device ($189), the Pro ($389), which allows you to simultaneously clean up to a dozen records, and the $129 Dry, fan-based record dryer. You also need to get a PS-30A Ultrasonic Cleaner, which sells on EBay for around $150 or $169 through Cleanervinyl.com.
Clearaudio introduced the new Innovation Basic turntable in importer Musical Surroundings' room at CES.
The new 'table features an aluminum Panzerholz wood sandwich plinth, custom optically controlled DC motor system, POM platter and magnetically levitated ceramic ball-based bearing system. Cost is $6000 without arm.
Clearaudio Introduced the Absolute Phono, a compact, fully balanced, current-based moving coil phono preamplifier built into the head shell of the line's linear tracking tonearms or into the arm tube Clearaudio's pivoted arms
Clearaudio manufactures an unusually wide range of turntable and tone arm models. In all the years I've attended C.E.S. or Munich for that matter, no one lays it all out (at the very least the lines imported to America by Musical Surroundings) so clearly and precisely as does Musical Surroundings' Customer Service Manager Michael Fajen in this video.
The increased market-share of ultrasonic type record cleaning machines motivated Clearaudio to produce a new model of its Matrix series of record cleaners that combines a vibrational component along with its well-regarded vacuum cleaning capabilities.
Back in the 1950’s, with major labels like Capitol, RCA and Columbia owning their own Los Angeles recording complexes, small, independent recording concerns were left to pick up the scraps: voice-overs, song demos, commercial jingles and other small-time bookings.
Part II:Building Gold Star Studios, Phil Spector and Alvin & The Chipmunks Come to Play:
FREMER: Where did you get all this (recording)stuff?
ROSS: We bought the parts. There were no recording consoles available. We had a broadcast console that was available to us. It was a stereo console because one channel was for cuing and the right was for the air. It was gorgeous. A guy had this wonderful board with the colored knobs and [it was] just what we wanted. And so we got it for a good price and I said, ah, we got the console.
FREMER: So you had to make an investment. So you had to have savings? You borrowed?
ROSS: We borrowed the difference, whatever. Hey, I wasn’t a GI so I had a problem. Anyway, we found out that this console was hot. [LAUGHTER]