(Vinyl Reports is an AnalogPlanet feature aiming to create a definitive guide to vinyl LPs. Here, we talk about sound quality, LP packaging, music, and the overarching vinyl experience, this time in a shorter format than usual.)
If you’re a musician making albums and you’re not a major pop/rock star or you don’t own your own label, the money you make comes with strings attached. To some, they may be invisible—"Hey, that’s what you do to sell records. Right?” To Horace Tapscott, the strings were all too visible and entangling. He wasn’t going to be a puppet dancing for the record companies and the whole system of which they were part.
Finding gifts for record lovers can prove difficult: the hobby is uniquely personal, often expensive, and comes with the fear of what your gift recipient does and doesn’t already own. As the holidays rapidly approach, we’ve compiled a list of recommended budget turntables, phono preamps, record accessories, LPs, and books. These products are independently selected, and we’ve personally experienced every listed item (or a very similar previous iteration) listed.
(Review Explosion, curated by contributing editor Malachi Lui, is AnalogPlanet’s guide to notable recent releases and reissues. It focuses on the previous few months’ new releases for which we don’t have time or energy to cover more extensively.)
(Review Explosion, curated by contributing editor Malachi Lui, is AnalogPlanet’s guide to notable recent releases and reissues. It focuses on the previous few months’ new releases for which we don’t have time or energy to cover more extensively.)
(Vinyl Reports is an AnalogPlanet feature aiming to create a definitive guide to vinyl LPs. Here, we talk about sound quality, LP packaging, music, and the overarching vinyl experience.)
Real-life used record shopping is as joyful as it is potentially frustrating. These days, I mostly find used record bins of previous decades’ detritus; however, a recent browse through Asheville’s Harvest Records yielded luck. Following are reviews of three of those finds, plus one used LP ordered on Discogs.
How long do lacquers really last? The recent Supersense announcement that it would be releasing lacquers cut sourced from 1:1 master tape copies (the original announcement made it seem as if the company was claiming to be using actual master tapes, which made zero sense and was obviously not the case), produced a torrent of objections and outrage on this website under the original post and on the YouTube channel of record dealer The In Groove.
High performance loudspeakers are a trekking pole in an audiophile’s lifelong, arduous journey to “audio nirvana”; without them, one won’t reach the destination. And while controversy surrounds the discussion of whether one should first stride into high-fidelity audio via spectacular loudspeakers or an exceptional source, one undeniably cannot ignore loudspeakers. If this is news, don’t fret. Designed by the renowned Andrew Jones (Jones announced last July 18th that he was leaving ELAC but he's yet to divulge his next move_ed), the ELAC Uni-Fi 2.0 UB52 bookshelf loudspeaker meets a growing audiophile’s needs. It’s a high performance reasonably priced loudspeaker.
(Review Explosion, curated by contributing editor Malachi Lui, is AnalogPlanet’s guide to notable recent releases and reissues. It focuses on the previous couple months’ new releases for which we don’t have time or energy to more extensively cover.)
Earlier this year, I wrote a four-part series about Yellow Magic Orchestra, the seminal synthpop trio of Haruomi Hosono, Yukihiro Takahashi, and Ryuichi Sakamoto. Of course, that’s only the tip of the proverbial iceberg; between solo records, collaborations, other bands, productions for others, and session credits, hundreds of wildly varying releases encompass the YMO-centered extended discography.
Michael Chapman died on September 10. He was 80 years old. Pitchfork, NME, and The Guardian published obituaries all of which referred to him as a folk singer-songwriter, best known for the 1970 album Fully Qualified Survivor. Chapman did not like being called a “folk singer” for the excellent reason that the term was inaccurate when applied to him. After fifty-four years as a professional musician, with an unlikely career resurgence beginning when he was fifty-seven, that produced thirty albums including 50, which many regard as his best work, it probably also would have rankled him that that he was mainly remembered for FQS his second album.
(Review Explosion is a recurring AnalogPlanet feature covering recent releases for which we either don't have sufficient time to fully explore, or that are not worthy of it. Curated by AnalogPlanet contributing editor Malachi Lui, Review Explosion focuses on the previous couple months' new releases and reissues.)
(photo: Jeremy Neech)
The blank white The Beatles double LP gatefold jacket intended to show the world that the group was finished with busy, production heavy studio creations that relied for completion upon production tricks and gimmickry. Instead, the group wanted to emphasize musicianship and “live play”.
Never mind that the songs sometimes ended up being more individual than group efforts and that squabbling and disagreement led to acrimony as well as long time engineer Geoff Emerick exiting, producer George Martin going on holiday and even Ringo Starr walking out for a few weeks.
DJ Format (aka Matt Ford) is a hiphop DJ and producer from Brighton, England. DJ Shadow (aka Josh Davis) is a hiphop DJ and producer from Sacramento, California. Brighton and Sacramento; not the first urban centers you think of in relation to groundbreaking hiphop production. Format and Shadow, however, are at either end of a 25 year continuum of atmospheric instrumental beats. DJ Shadow’s 1996 debut Endtroducing….. which got a half-speed remastered 25th anniversary edition last month, was composed completely from samples, a methodology shared with DJ Format’s latest LP from 2021 Devil’s Workshop.