Latest R.E.M. 180g 1LP Reissues From Craft Recordings Focus on Two Somewhat Underappreciated But Quite Spin-Worthy 21st Century Albums, 2001’s Classic-Tinged Reveal and 2008’s Punk-Leaning Accelerate

R.E.M. was a powerhouse in the 1980s and ’90s, but after drummer Bill Berry retired due to health considerations not long after September 1996’s New Adventures in Hi-Fi, many folks I knew back in the day seemed to hit the pause button on their level of interest in the group. Despite significant bona-fide hits and strong concert sellouts, there was an odd buzz in some circles that things were more or less over for R.E.M. at the time.

Primary Category: 
Category: 
Artist: 
R.E.M.
Album: 
Reveal (8/8) / Accelerate (8/6)
Cred Label: 
Craft Recordings
Cred Prod: 
Patrick McCarthy, R.E.M. (Reveal); Jacknife Lee, R.E.M. (Accelerate)
Cred Eng: 
Patrick McCarthy, Jamie Candiloro (Reveal); Tom McFall, Sam Bell (Accelerate)
Cred Mix: 
Patrick McCarthy, Jamie Candiloro (Reveal); Jacknife Lee (Accelerate)
Cred Mast: 
Kevin Gray (reissue lacquers cut at Cohearant Audio)

Craft Recordings just served up the next pair of 180g 1LP offerings in their ongoing R.E.M. reissue series — namely, 180g 1LP editions of May 2001’s classic-sounding Reveal and March 2008’s power-pop punk slammer, Accelerate. Read Mark Smotroff’s combo review of Reveal and Accelerate to see if either or both LPs are worthy additions to your vinyl collection. . .

Pro-Ject T2 W Wi-Fi Turntable

In a sign of the times, one of our favorite turntable companies, Pro-Ject, has just introduced their first Wi-Fi-capable ’table, the T2 W — a ’table that also meets the build-quality standards of one of its T Line predecessors: the no-plastic, zero-resonance T1. Read on to find out all the features and specs for the T2 W, as well as see Pro-Ject’s explanation for why the integrity of this turntable’s analog output remains true. . .

In the Groove Hardcover, Which Celebrates 75 Years of the LP, The Rise of Vinyl Culture, and the Ongoing Turntable Revolution, Is Set to Be Published October 17

Has it really been 75 years since Columbia Records released what’s generally agreed to as being the first commercially available 12-inch long-playing record — or LP — in June 1948? Indeed it has — and a new 192-page hardcover book, titled In the Groove: The Vinyl Record and Turntable Revolution, is set to be published October 17. In the Groove covers our favorite format’s history from the first LP needle drop to the ongoing vinyl resurgence of today — and it also includes a chapter penned by a noted AnalogPlanet contributor to boot. Read on to find out more about , and how to pre-order your own copy today. . .

Review Explosion Short Cuts Edition, Vol. 6: A Trio of New and Quite Worthy Verve by Request Series 180g 1LP Reissues From Archie Shepp, Yusef Lateef, and The Ahmad Jamal Trio, All Manufactured at Third Man Pressing

With so many pressing plants being fairly maxed out these days in terms of their production capacity, it’s been nice to see how Detroit’s Third Man Pressing has stepped up to the plate to deliver respectable, audiophile-grade vinyl pressings at fairly reasonable SRPs. Read Mark Smotroff’s combo review of three new Verve by Request 180g 1LP reissues from jazz greats Archie Shepp, Yusef Lateef, and The Ahmad Jamal Trio — all of which have been recently pressed at Third Man — to see if they make the grade. . .

Pink Floyd’s The Dark Side of the Moon Finally Gets a Standalone 50th Anniversary 180g 1LP Release on October 13

The Dark Side LP eclipse has finally lifted. In other words, Pink Floyd’s truly seminal March 1973 album The Dark Side of the Moon is finally getting a standalone 50th anniversary 180g 1LP release on October 13. Read on to glean all the pertinent individual Dark Side vinyl details as we have them. . .

Onyx Record Press Opens New Vinyl Pressing Plant in Los Angeles Area, Geared Toward Getting More Music by Independent Artists Onto LPs

Praise be to the almighty press! In this case, we’re referring to the all-important process of vinyl pressing, the end-of-creative-cycle production procedure that’s become even more in demand of late and somewhat difficult to schedule in a timely fashion for many an artist as the vinyl revival continues. To that end, Onyx Record Press has just opened its doors in the Los Angeles area, with an impetus to help independent artists get their music onto vinyl at affordable rates and reasonable wait times. Read on to find out about the Onyx team’s pressing plans, and what specific machines they’ll be utilizing to do so. . .

Brinkmann Taurus Direct-Drive Turntable and Optional RöNt Mk III Vacuum Tube Power Supply

We’ve always loved the level of craftsmanship that goes into the making of all the various turntables and tonearms that emerge from the mind and hands of Helmut Brinkmann and how well they consistently perform on the bench and in listening tests, but we’ve never given proper due to the German company’s best-selling Taurus turntable — until right now, that is. Read on to see how the Brinkmann Taurus ’table and its optional RöNt Mk III vacuum tube power supply go together like (insert your own perfect analog-oriented analogy here). . .

Talking Heads’ Complete Stop Making Sense Concert Film Soundtrack Finally Sees the Expanded Release It Richly Deserves, Via Stunning New 40th Anniversary 2LP Edition From Rhino

Mike Mettler: We’re going to try something new here on AP. This will be the first in a hopefully vibrant ongoing series of joint/concurrent album reviews that will be dually bylined from myself and my esteemed colleague Mark Smotroff. In essence, we will be conducting a tag-team review dialogue, if you will, all throughout these kind of back-and-forth posts, wherein we’ll both be discussing the merits — and/or lack thereof — of key LP releases we feel deserve extra attention.

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Category: 
Artist: 
Talking Heads
Album: 
Stop Making Sense
Cred Label: 
Sire/Rhino
Cred Prod: 
Jason Jones (2LP reissue); Talking Heads, Gary Goetzman (original LP)
Cred Eng: 
-
Cred Mix: 
Jerry Harrison and E.T. Thorngren (original LP)
Cred Mast: 
Ted Jensen at Sterling Sound (2LP reissue); Ted Jensen and Jack Skinner (original LP); new lacquers cut by Chris Grainger at Sterling Sound

For the very first time, Rhino has released the entirely of Talking Heads’ soundtrack to their seminal September 1984 concert film, Stop Making Sense, in a remastered 2LP set. In this all-new combo-style tag-team review, Mike Mettler and Mark Smotroff tell us exactly why this new 40th anniversary 2LP SMS set is the best-sounding edition of SMS to date. . .

Frank Zappa’s Seminal Over-Nite Sensation Basks in 50th Anniversary Vinyl Ooze Via Separate 180g 45rpm 2LP and Limited-Edition 180g 3LP Editions From Zappa/UMe on November 3

For those of you who have a penchant for listening to visceral, tall-in-the-saddle sonic tales recounting the finer points of dental floss farming, mindless video drones, and poncho-wearing lotharios, then we have an important release announcement for you. Namely, Frank Zappa’s seminal September 1973 LP Over-Nite Sensation is getting a proper 50th anniversary deluxe reissue treatment via a pair of vinyl options — a 180g 45rpm 2LP set, and a limited-edition splatter-vinyl 180g 3LP edition — both via Zappa Records/UMe on November 3. Read on to see all the mennil-toss flykune-approved ONS 50 pressing stats and sugar-plum tracks accordingly. . .

Guitarist Jamie-West Oram Uses His Personal Skeleton Key to Decipher Why the Textured, Future-Proof Music of The Fixx Always Sounds So Good on Vinyl

Jamie West-Oram is a master of texture. Forty-plus years ago, the long-tenured guitarist of The Fixx forged a signature soundscape bed for the band’s chief lyricist and lead vocalist Cy Curnin to weave his timeless tales around, typically buttressed by adventurous keyboard figures from Rupert Greenall and more often than not buoyed by the studio acumen of producer Rupert Hine and engineer Stephen W. Tayler. During a recent Zoom interview with AP editor Mike Mettler, West-Oram discusses the genesis of his new solo album Skeleton Key, why The Fixx couldn’t just leave Side D of their 2022 2LP set Every Five Seconds blank, and how their 1983 breakthrough LP Reach the Beach retains such palpable resonance on vinyl to this very day. . .

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