Has it really been 45 years since Rhino Records put out their very first release in 1978? (Bonus points to those of you who remember “Rocky,” the original Elvis-ified Rhino company logo from back in the day.) In celebration of Rhino’s 45th anniversary this year, the vaunted archival label is launching what they’re calling Rhino Reds, a new series of limited-edition reissues pressed on custom “Rhino Red” vinyl. Read on to see which 12 LPs from Rhino’s deep catalog will be getting the Red carpet treatment over the next few months. . .

The Gold Note PH-5 phono preamp comes ready to do the job at hand with nine impedance inputs, four gain options, and a choice of using either an MM or MC cartridge with it — plus, the PH-5 offers three separate EQ curves, something we’ve yet to see at this price point. Read Ken Micallef’s review to find out if the PH-5 was indeed able to deliver clean, smooth, and well-balanced sound and a deep soundstage. . .

Two late-period R.E.M. albums — October 2004’s and March 2011’s Collapse Into Now — have just gotten well-deserved 180g LP upgrades from Craft Recordings. Read Mark Smotroff’s combo review of these two somewhat underappreciated but wholly worthy entries in the Athens, Georgia alt-rockers deep catalog to see if they fit into your own upcoming LP listening plans. . .

Just how good is Peter Frampton’s excellent new Frampton@50: In the Studio 1972-1975 180g 3LP box set from Intervention Records? The following three numbers tell the tale in shorthand: 100, 50, and 75. Find out what they mean and why this all-analog vinyl collection of three key entries from Frampton’s early solo career sets new standards for box set presentation by reading AP editor Mike Mettler’s in-depth review. . .

The well-respected entertainment data company Luminate recently released their Midyear Music Report, which confirms vinyl sales are on the rise yet again. Therein, Luminate reports that vinyl sales saw a 21.7 percent increase in the first half of 2023. Read on to see more about how our favorite format is doing this year to date, along with some other key vinyl-specific data stats of interest. . .

Venerable German manufacturer ELAC returned to LP-spinning form in 2016 by shoring up their turntable line with the Miracord 90 Anniversary ’table, one that ultimately garnered a well-deserved EISA Award in 2017. While the properly feted 90 Anniversary and its subsequent “regular 90” version are no longer available, the Miracord series lives on with a trio of turntables that continue to make good on the ELAC name. Read on to learn more about what’s what with the current Miracord turntable series. . .

The cover image is iconic. The opening strains of the recording are iconic. Even the original label design is iconic. Fifty years on, we now celebrate Mike Oldfield’s landmark progressive masterwork debut album, May 1973’s Tubular Bells, with an expanded 180g 2LP half-speed-remastered edition overseen by Oldfield himself. Read on to get Mark Smotroff’s take on this this avowed timeless classic. . .

Welcome back to the third installment of our ongoing Review Explosion series, Short Cuts edition! This time, we have three new jazz releases sharing some common threads that connect the artists in question, yet are about as different as night and day. Read on to see what Mark Smotroff has to say about a pair of excellent new AAA Bill Evans Trio and Miles Davis Quintet OJC studio 180g 1LP reissues, plus a legendary lost archival live John Coltrane With Eric Dolphy 2LP set — but note that the latter release comes with one important caveat. . .

Tom Waits hit a new creative stride in the 1980s, starting with his acclaimed September 1983 masterstroke Swordfishtrombones — a breakthrough “junkyard orchestral deviation” (his words) — that culminated four LPs later with November 1993’s The Black Rider. Starting September 1, Island/UMe is re-releasing all five of these key Waits midperiod Island Records LPs via 180g black vinyl and limited-edition color variants with the first three titles slated for September 1, and the remaining two to follow on October 6. Read on to find out more about which specific Waits Island-era titles are forthcoming, and what they each entail. . .

Cool gear from Origin Live just happened to be shown and demo’ed in the Millercarbon room at Pacific Audio Fest (a.k.a. PAF 2023) back in June, so we thought it would be well worth tracking down the, er, origin of said products by going directly to the Origin Live team in the UK to learn more about it all firsthand. Read on to find out what’s what with the company’s Sovereign-S MkV turntable and Enterprise MkIV tonearm respectively. . .