Thanks to an anonymous source, here's one record store's RSD story: Comeback Vinyl opened 2014 in Atlanta and just recently moved to its current Alpharetta, GA. location. These photos, showing the line stretched around the block, are from last week's Record Store Day. Clearly customers did "Comeback" to Comeback Vinyl!
313 is officially in the LP house. To wit: Third Man Records and Blue Note Records have just announced their new 313 Series Partnership, which will showcase five Detroit-themed albums from the Blue Note catalog — a combo of vintage and long-lost titles from Thad Jones, Donald Byrd, Elvin Jones, Kenny Cox and The Contemporary Jazz Quintet, and Grant Green — all of them specially chosen for re-release by Blue Note Records President Don Was. Read on to find out more about the content of these five fine 180g LPs that have been newly remastered from the original tapes at Third Man’s Detroit mastering and pressing facility, and when they’ll be released accordingly. . .
Third Man Records recently announced this 4 LP box set containing 42 tracks not available on the Sony/Legacy 2 LP set edition of Bob Dylan-Springtime In New York: The Bootleg Series, Vol. 16 (1980-1985) (the tracks will be included in the deluxe 5 CD box set). To purchase this set you must subscribe to Third Man Records Vault ($65/quarter) and you'll automatically receive it.
Third Man Records today released three key Muddy Waters Chess singles originally released on 78rpm shellac. The three are "Rollin' Stone" b/w "Walkin' Blues", "She's All Right" b/w "Sad, Sad Day" and "Mannish Boy" b/w "Young Fashioned Ways".
Jack White's Third Man Records today announced the opening on February 25th of its new Detroit pressing plant in the heart of the city's historic Cass corridor neighborhood, down the block from the Shinola store.
Third Man Records will release on Friday August 2nd, previously unheard live recordings from the 1969 Ann Arbor Blues Festival. The 50th anniversary release includes live performances from Howlin' Wolf, Muddy Waters, Son House, B.B. King, Magic Sam, T-Bone Walker, James Cotton, Junior Wells, Big Mama Thornton, Otis Rush and many others.
With all of the reissues coming from questionable sources or proudly proclaiming their "digital-ness" ala The Beatles Box, we're fortunate to have labels like Analogue Productions, Mobile Fidelity, ORG, IMPEX, Rhino and the others cutting lacquers from analog tapes.
This is Mallory Fleming. She is a midwestern self-absorbed teenager who dreams of being Kim Kardashian. So she finds the money to pay people to litter this website with spam containing hyperlinks to her Fecesbook page.
The lathe in the picture, located at Abbey Road Studios, is the one Miles Showell used to cut at 1/2 speed, the Sgt. Pepper's Lonely Hearts Club Band remix. It began life as a Neumann VMS82 DMM that according to Showell had been "...routinely stripped for spares".
We inadvertently identified Memphis Record Pressing as being responsible for pressing Tyler, the Creator's IGOR. Obviously some buyers got copies like mine seen in this picture showing a horrendous case of audible "stitching". MRP received some not pleasant emails from readers. These should be directed to United Record Pressing, which actually pressed this terrible looking record. Apologies to MRP and we vow greater diligence going forward.
Nick Drake's sublime debut album Five Leaves Left was reportedly going to be sourced from digital because the master proved unusable and that is indeed the case.
Craft Records just announced three all-analog reissues cut from original tape by Kevin Gray: (Chet Baker Sings) It Could Happen to You, originally released in 1958 on Riverside, Willie Colon's Asalto Navideño a 1971 Christmas album originally released on Fania, and Buffy Sainte-Marie's Illuminations a Vanguard release from 1969 that's achieved "cult" status due to its early use of synthesizers to produce an eerie backdrop.