Malachi Lui

Malachi Lui  |  Apr 13, 2020  |  First Published: Apr 13, 2020  |  15 comments
(Review Explosion is a recurring AnalogPlanet feature covering recent releases for which we either don’t have sufficient time to fully explore, or that are not worthy of it. Curated by AnalogPlanet contributing editor Malachi Lui, Review Explosion will focus on the previous few months’ new releases as well as archival titles and reissues.)

Malachi Lui  |  Apr 09, 2020  |  First Published: Apr 09, 2020  |  120 comments
(“Hype: to promote or publicize something intensively, often exaggerating its importance or benefits.” We all succumb to hype, either from others’ high recommendations or our own excitement and anticipation. Once something falls short of those expectations, we rush to denounce it as “overhyped;” not necessarily bad, but underwhelming for however much we expect. Today’s Vinyl Reports feature centers around such overhyped records.)

Malachi Lui  |  Apr 05, 2020  |  First Published: Apr 05, 2020  |  7 comments
(Review Explosion is a recurring AnalogPlanet feature covering recent releases for which we either don’t have sufficient time to fully explore, or that are not worthy of it. Curated by AnalogPlanet contributing editor Malachi Lui, Review Explosion will focus on the previous few months’ new releases as well as archival titles and reissues.)

Michael Fremer,  |  Mar 01, 2020  |  First Published: Mar 01, 2020  |  23 comments
Here are our choices for the best reissues of the past decade. They include individual LPs, box sets and ongoing series. We decided to omit from the list re-mixes such as Abbey Road, because they are not strictly “reissues” as well as “newly found” older recordings such as John Coltrane’s Blue World. Obviously, over the long decade—and one where vinyl again became the reissue format of choice—there were far too many worthwhile records than we could manageably list—Analogue Productions and Mobile Fidelity alone produced dozens of list-worthy reissues. Here are the ones we decided were most important and most worthy of your attention. Please contribute yours in the comments!

Malachi Lui  |  Feb 26, 2020  |  First Published: Feb 26, 2020  |  21 comments
As anyone reading this likely knows, over the past 40 years, commercial audio quality tanked. Beginning with the CD’s often sterile blurriness to today’s lossy 64kbps free Spotify streams, the masses’ sacrifice of quality for convenience also coincides with the decline of deep, concentrated listening. Although the two may have nothing to do with one another (after all, work commutes lengthened and other forms of media gained prominence), it’s certainly a possibility.

Malachi Lui  |  Feb 18, 2020  |  First Published: Feb 18, 2020  |  66 comments
(Vinyl Reports is a new AnalogPlanet feature intended to create a definitive guide to vinyl LPs. Here, we’ll provide sound quality, LP packaging, notes about the overarching vinyl experience, and sometimes music reviews. Today’s vague theme is what this recurring feature is generally about: records new and old, good and bad. Let the fun begin…)

Malachi Lui  |  Feb 08, 2020  |  First Published: Feb 08, 2020  |  50 comments
Firemen work to douse fire. (Photo:Robert Bauer-ribsfitmedia)
On Thursday morning (February 6), the Banning, CA building housing Apollo/Transco Masters’ factory and storage space burned. By far the biggest of the world’s two lacquer master disc manufacturers, most of the world’s vinyl mastering facilities (especially smaller ones) relied upon Apollo/Transco blanks, as well as their cutting styli for Westrex cutting heads. Ruled a total loss, 82 firefighters battled the blaze’s toxic fumes; thankfully, there were no injuries (Banning is located in the Southern California desert, approximately 2.5 hours away from Los Angeles).
Malachi Lui  |  Jan 30, 2020  |  First Published: Jan 30, 2020  |  5 comments
Last year Peter Noerbaek offered me a review sample of the Liberty Audio B2B-1 phono preamp. “I’m happy with my MoFi UltraPhono,” I told MF, “but I’ll try the B2B-1.” Not necessarily thinking it would at first make a significant difference in my system, I soon instead found that in terms of imaging, punch, dynamics, and sonic cleanliness, it greatly enhanced my hi-fi’s performance.

Malachi Lui  |  Jan 23, 2020  |  First Published: Jan 23, 2020  |  83 comments
For this list, there is no introductory statement that won’t come across as overly self-absorbed and politically bitter, so I’ll just indulge: despite barely being 4 years old at its beginning, I acknowledge that the 2010’s were a complete mess. Disastrous elections, racism, religious and regional intolerance, war, and climate change all contributed to our current feeling of impending doom, yet music remained brilliant. As it’s now “best albums of the decade” list season, to retain our reputation as an excellent music criticism website that doesn’t blindly overrate Vampire Weekend, of course we’re joining the action! Each of our two regular writers will post their top 50 albums of the decade lists, potentially followed by an AnalogPlanet team list with annotations. Before the main top 50 list however, there are several honorable mentions that, for one reason or another, aren’t in an AOTD conversation but are nonetheless enjoyable. Below are the honorable mentions listed in order of how their representing songs appear in the attached Tidal, Spotify, and YouTube playlists (sorry, Apple Music users and Endless fans):

Malachi Lui  |  Jan 07, 2020  |  First Published: Jan 07, 2020  |  34 comments
I honestly suck at keeping up on new music. Sure, I’m shoving out another mostly negative Review Explosion every three weeks when some artist past their prime pushes out another hour of dreck (or when Earl releases a stupidly annoying, half-baked 15 minute “album”) but I still don’t feel that I spend enough time covering what actually matters. As in, what’s actually good and worth talking about. Unfortunately, one music critic with their own taste and near-daily spins of IGOR can only do so much; no matter how hard I work, there are always a dozen supposedly great albums that I’ve fallen behind on even hearing.

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