LATEST ADDITIONS

Tom Waits hit a new creative stride in the 1980s, starting with his acclaimed September 1983 masterstroke Swordfishtrombones — a breakthrough “junkyard orchestral deviation” (his words) — that culminated four LPs later with November 1993’s The Black Rider. Starting September 1, Island/UMe is re-releasing all five of these key Waits midperiod Island Records LPs via 180g black vinyl and limited-edition color variants with the first three titles slated for September 1, and the remaining two to follow on October 6. Read on to find out more about which specific Waits Island-era titles are forthcoming, and what they each entail. . .

Universal ushers in a new era of limited-edition Pete Townshend solo 180g 1LP reissues with a pair of Abbey Road Studios half-speed-mastered editions: 1) Rough Mix, Pete’s September 1977 collaboration with Ronnie Lane, and 2) April 1980’s Empty Glass. Read Mark Smotroff’s combo review to see how these two new half-speed-mastered versions stack up with the originals. . .

You can’t keep a good man down, especially when his name is Peter Frampton. It’s no accident Frampton’s current 27-date summer tour is titled — semi-tongue-in-cheek, mind you — Never Say Never. While Frampton continues touring, he is also on the cusp of the release of a historical new box set on July 28 via Intervention Records — namely, the all-analog Frampton@50: In The Studio 1972-1975 180g 3LP numbered, limited edition box set that tops out at 2,500 copies. During a recent Zoom interview with AP editor Mike Mettler, Frampton discusses his hands-on approach with the test pressings for what ultimately went into the Intervention box set, how he’d like to see his iconic 1976 double-live album Frampton Comes Alive! make it back to vinyl, and the one album in his catalog he’d rather not be reissued on vinyl at all. . .

The once-buried archival recordings that comprise Frank Zappa’s new 180g 2LP set Funky Nothingness are not just the components of a lost album, but more of an insightful transitional link into FZ’s compositional mindset. This new album also connects many musical dots between the aftermath of FZ’s October 1969 landmark jazz fusion masterpiece Hot Rats and October 1970’s Chunga’s Revenge — and beyond. Read Mark Smotroff’s review to see just how quickly Funky Nothingness should jump to the front of your LP listening queue. . .